A wallpaper group, repeated without end,
becomes a surface with its own geometry.
I am an Iranian-born artist working at the intersection of
crystallographic symmetry and generative systems. My work
begins with a simple observation: the tiled surface —
repetitive, mathematically structured, infinitely variable —
has always been a form of computation, long before computers.
Wallpaper Groups renders the seventeen
crystallographic symmetry groups — p1 through p6m — as
tiled patterns on a 60 × 60 grid. Each group is defined by
its own fundamental region and a set of symmetry operations
(translations, rotations, reflections, glide reflections)
that tile the plane. Seven cell shapes and six colour schemes
complete the composition.
A gradient background and a faint overlay of symmetry markers
round out each piece. The result sits between mathematical
diagram and textile repeat. Each piece is defined by a numeric
seed and can be regenerated, documented, and adapted for print,
textile, and surface applications.
On AI tools — where I encountered technical
obstacles, I turned to AI tools for debugging and code
optimization. Every structural, aesthetic, and conceptual
decision remained my own.