Seventeen arcs drawn as triangles, radiating from a common centre, woven through a grid of glowing planets.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A triangle is the simplest closed form — and yet nothing closes cleanly.
I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Triangulum takes the triangle as its fundamental unit. A triangle can be a filled shape, a stroke, or — as here — a fragment of an arc. Seventeen triangle-arcs radiate from the centre at graduated diameters; their size, colour, and weight drift with position, producing a figure that reads as both constellation and mandala.
Behind the arcs, a 5×5 grid carries two counter-layers: white frost particles scattered like stars, and a set of glowing triangle-planets, each with its own haloed glow. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
A numeric seed initializes the arc palette, the star palette, the planet palette, the frost particles, the planet sizes, and the triangle-orb positions across the 5×5 grid. Each output is regenerated and documented as a distinct, traceable work.
Seventeen arcs are drawn at graduated diameters from the centre. Each arc is a stack of 32 thin triangles whose colour and stroke weight drift along the arc. A background gradient of frost, and a grid of glowing planet triangles, complete the composition.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Triangulum is a generative design system rather than a single artwork. Its triangle-arc language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.