The sketch draws its own code — twelve wild ellipses and a hundred and twenty radial glows behind the source that made them.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A program that draws its own source becomes its own portrait.
I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Source takes that observation literally. The sketch holds its own code as an array of strings, then draws them — line by line, monospace, white — on top of a field it has also drawn. Twelve wild ellipses in mirror symmetry, a hundred and twenty radial glows layered from the centre, and the code that generates both.
The result is a self-portrait, half diagram, half aura. The code is legible but not meant to be read — it's texture, structure, and signature at once. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
A random hue sets the background, held to low saturation and low brightness. Twelve wild ellipses are drawn next in mirror pairs — one at a random position, a second reflected through the centre. Then a hundred and twenty radial glows accumulate from the middle out, each at 10–30 alpha.
The sketch's own code — held as an array of strings — is drawn on top, line by line, in monospace at 1.2% of canvas height. The code is legible but not meant to be read; it's the piece's signature, its structure, and its texture at once.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Source is a generative design system rather than a single artwork. Its self-rendering language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.