Eight themed cities — pinky dream, toxic neon, cool blue, inferno red, mystic purple, golden gothic, cyber cyan, emerald moon.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A city drawn from a grid becomes a surface with its own weather.
I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Skyline Series renders eight themed cityscapes, each with its own palette, its own sky tint, and its own window logic. A seed picks one of the eight themes, then lays a field of buildings across the canvas — each with vertical and horizontal facade lines, gridded windows in checker, stripe, diamond, or random pattern, and a spire that rises above the roofline at a theme-determined probability.
Behind the buildings: a scatter of faint stars, and a wash of outline shapes — triangles, diamonds, polygons — that read as clouds, constellations, or distant ads. The result sits between poster and print, urban and woven. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
A numeric seed picks one of eight themed cities — pinky dream, toxic neon, cool blue, inferno red, mystic purple, golden gothic, cyber cyan, emerald moon. Each theme sets a background, a set of building colours, a set of window colours, a sky overlay tint, and a config object that governs spire probability, facade line density, and window pattern.
Between six and eleven buildings are laid across the base of the canvas at jittered x-offsets, each with a sheared tilt, a randomised width and height, and a grid of lit windows. Facade lines are drawn vertically and horizontally over each block; spires rise above the roofline at a theme-determined probability. A faint scatter of stars and outline shapes completes the sky.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Skyline Series is a generative design system rather than a single artwork. Its themed-city language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.