Pool Wind Sun

A still pool remembers every drop that fell into it.

I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.

Pool Wind Sun simulates a wave equation — the classical model of ripples on a still surface. One or several oscillating sources strike a rectangular pool; the resulting waves reflect off the boundaries and interfere with one another, producing a complex field of constructive and destructive nodes.

Where the classical pool is a single still moment, this system freezes it — running the simulation forward for thirty to seventy time-steps, then capturing the field. A gradient palette sweeps the grid diagonally, from a deep blue at the upper-left to a bright cyan at the lower-right, so the wave field reads as both fluid and luminous. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.