Organic Shapes — Catalogue 6 × 6 Forms · 5 Palettes · Seed-Based
A study in layered forms

Organic Shapes

A 6 × 6 grid of layered organic forms, each drawn from a flowing parametric formula and rendered in three concentric strokes. Five curated palettes — Ice, Fire, Strawberry, Forest, Sunset.

For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.

Issue Organic Shapes — Autumn 2026
Discipline Generative Form Composition
Edition Seed-based · Open series
00 / Statement Artist Statement

A parametric curve, repeated with variation, becomes a field of blossoms.

I am an Iranian-born artist working at the intersection of botanical form and generative systems. My work begins with a simple observation: the layered petal — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.

Organic Shapes renders a 6 × 6 grid of layered organic forms. Each form is drawn from a flowing parametric formula: a base radius modulated by two sine and cosine waves at different frequencies, sampled at 120 points around the circle. Every form is rendered in three concentric strokes at descending brightness, so the outline reads as a soft layered contour rather than a single hard line.

Five palettes are available — Ice, Fire, Strawberry, Forest, and Sunset — each with four colours drawn from a different natural register. The background is a deep blue-violet at low saturation. The result sits between botanical illustration and Op-art. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for print, textile, and surface applications.

On AI tools — where I encountered technical obstacles, I turned to AI tools for debugging and code optimization. Every structural, aesthetic, and conceptual decision remained my own.
01 / Plate

Five palettes,
one seed.

02 / Surfaces

One field.
Many surfaces.

The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.

Plate 017 Archival print · 1 : 1 · Open edition

One seed, four surfaces.

Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.

iPrint
Archival print
1 : 1 · Cotton rag
iiScarf
Silk scarf
3 : 1 · Twill silk
iiiTextile
Fabric yardage
4 : 3 · Repeat tile
ivWall
Wallpaper
2 : 3 · Vertical repeat
03 / Process

Structure
behind the form.

01 / Grid

Six by Six

A 6 × 6 grid divides the canvas into 36 cells. Each cell holds one organic form, centred in its cell. Every form has its own size (0.5–0.9 of the cell), its own rotation (0–2π), and its own colour drawn from the palette.

02 / Formula

Flowing Curves

Each form is drawn from a parametric equation: a base radius modulated by sin(3θ) and cos(5θ), sampled at 120 points around the circle. This produces a soft, petal-like contour with three lobes and five gentle notches — organic, never a perfect circle.

03 / Layers

Concentric Strokes

Every form is drawn three times: once at full brightness, once at −10 brightness with −15% alpha, and once at −20 brightness with −30% alpha. The result is a layered contour that reads as three nested outlines — an echo of the form inside itself.

04 / Archive

Selected
seeds.

8 compositions · Open series Click any plate to load it above
For brands & studios

One system.
Many surfaces.

Organic Shapes is a generative design system rather than a single artwork. Its petal-form language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.

i
Licensing Existing seeds from the archive, licensed for production use.
ii
Commission New compositions designed to your palette, repeat and product.
iii
Systems A private generative tool built for your studio's ongoing use.
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