An 80 × 80 grid that drifts from regular order on the left to noise-driven disorder on the right. Rectangles, ellipses, triangles in harmonic palettes.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A grid drawn along a gradient becomes a field that forgets its own rules.
I am an Iranian-born artist working at the intersection of mosaic logic and generative systems. My work begins with a simple observation: the tiled surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Order to Chaos renders an 80 × 80 grid whose cells drift along a horizontal gradient. On the left, cells are lit or dark according to a strict sine/cosine lattice modulated by a radial field — regular, rhythmic, almost architectural. On the right, cells follow 2D Perlin noise plus a random chaos term — scattered, irregular, almost organic. Between the two, the blend factor slides smoothly from order to disorder.
Every lit cell draws itself as a rectangle, an ellipse, or a triangle, in a small harmonic palette generated per seed: complementary, analogous, or triadic. A dim background wash and a scattered glow effect complete the composition. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for print, textile, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
On the left edge, cells follow a strict lattice: a product of two sines and cosines at 10× frequency, plus a radial field modulated by a two-period sine. The result is regular, rhythmic, almost architectural — a woven surface in the classical sense.
On the right edge, cells follow 2D Perlin noise at 5× frequency, plus a flat random chaos term of up to 0.6. The result is scattered, irregular, almost organic — no two rows alike. Between the two edges, a horizontal blend factor `t = i / (cols − 1)` slides smoothly from order to disorder.
Each lit cell draws itself as one of three shapes — rectangle, ellipse, or triangle — at a random size (0.4–1.6× cell), a random rotation (up to 90°), and a colour drawn from a small harmonic palette. Complementary, analogous, or triadic harmony is chosen per seed.
Order to Chaos is a generative design system rather than a single artwork. Its gradient language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.