A line that never stops moving leaves a trace
of everywhere it has been.
I am an Iranian-born artist working at the intersection of
classical textile logic and generative systems. My work
begins with a simple observation: the woven surface —
repetitive, mathematically structured, infinitely variable —
has always been a form of computation, long before computers.
Neon Drift is a study in accumulation and
drift. A single line travels through the field, bouncing
off its edges, changing its trajectory with each pass. The
line is redrawn between one and three hundred times — each
stroke slightly shifted, slightly recoloured — until the
accumulated strokes form a luminous cloud.
The composition is bounded by a seeded dark background and
a neon palette that cycles through the spectrum while never
leaving the bright end. Three shape modes — lines, ellipses,
rectangles — give the same logic three distinct visual
voices. Each piece is defined by a numeric seed and can be
regenerated, documented, and adapted for textile, print,
and surface applications.
On AI tools — where I encountered technical
obstacles, I turned to AI tools for debugging and code
optimization. Every structural, aesthetic, and conceptual
decision remained my own.