A 12 × 12 field of nodes — some filled, some still — woven together by short connective lines.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A grid of nodes, half lit and half quiet, becomes a woven surface.
I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Lattice Field lays a 12 × 12 grid across the canvas. Each cell is decided by the seed: an on cell becomes a cluster of concentric dots, haloed in translucent rings; an off cell becomes a small rounded block, held just above the ground. Where two adjacent cells are both on, a short connective line bridges them — a thread through the lattice.
Behind it all: a background colour derived from the palette but pushed deep — hue shifted, saturation and brightness suppressed — so the marks read as luminous above a dark field. Five palettes are curated, from warm and earthy to neon electric. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
A numeric seed fills a 12 × 12 grid with a binary decision per cell — on or off. The ratio is left near-even, so the composition reads as a woven surface rather than a plotted one. The palette is drawn from five curated sets, and the background derived from it and pushed deep.
Each on-cell becomes a cluster of concentric dots — a large translucent halo, two mid halos, and a solid core. Off-cells become small rounded blocks held just above the ground. Where two adjacent on-cells meet, a short connective line bridges them, with a jittered endpoint that gives the lattice its hand-drawn feel.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Lattice Field is a generative design system rather than a single artwork. Its node-and-thread language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.