Gradient Grid — Catalogue Noisy Gradient Field System
A study in noisy gradients

Gradient Grid

A field of grid cells, each carrying its own value — rendered as a two-tone gradient drawn from a shared palette.

For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.

Issue Gradient Grid — Autumn 2026
Discipline Generative Composition
Edition Seed-based · Open series
00 / Statement Artist Statement

A grid is not a picture of order — it is a way to organise chaos.

I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.

Gradient Grid takes the grid as a field of values. Every cell carries a seeded number between −450 and 450, and that number is mapped to a position along a linear gradient running between two colours drawn from a palette of sixteen. The grid itself is invisible; only the gradient remains.

What emerges is a field of light — a surface that reads as fabric, screen, weather map, or terrain depending on the palette the seed chooses. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.

On AI tools — where I encountered technical obstacles, I turned to AI tools for debugging and code optimization. Every structural, aesthetic, and conceptual decision remained my own.
01 / Plate

Fielded,
not just drawn.

02 / Surfaces

One field.
Many surfaces.

The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.

Plate 001 Archival print · 1 : 1 · Open edition

Applied across surfaces.

Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.

iPrint
Archival print
1 : 1 · Cotton rag
iiScarf
Silk scarf
3 : 1 · Twill silk
iiiTextile
Fabric yardage
4 : 3 · Repeat tile
ivWall
Wallpaper
2 : 3 · Vertical repeat
03 / Process

Structure
behind the field.

01 / Seed

Variation

A numeric seed picks two colours from a palette of sixteen, the grid dimensions (10–159 columns), and every cell's value (−450 to 450). Each output is regenerated and documented as a distinct, traceable work.

02 / Mapping

Geometry

Every cell's value is normalised to 0–1 and used to interpolate between the two palette colours. The cell is then filled with the interpolated colour. The grid is invisible — only the gradient field remains.

03 / Surface

Application

The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.

04 / Archive

Selected
seeds.

8 compositions · Open series Click any plate to load it above
For brands & studios

One system.
Many surfaces.

Gradient Grid is a generative design system rather than a single artwork. Its noisy-gradient language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.

i
Licensing Existing seeds from the archive, licensed for production use.
ii
Commission New compositions designed to your palette, repeat and product.
iii
Systems A private generative tool built for your studio's ongoing use.
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Applied · Gradient Grid

The same seed,
three surfaces.

Gradient Grid tote bag — applied composition
01 / Tote Seed 68640978
Gradient Grid t-shirt — applied composition
02 / Apparel Seed 68640978
Gradient Grid cushion — applied composition
03 / Interior Seed 68640978

Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.