A network of nodes and branches becomes
an organism with its own pulse.
I am an Iranian-born artist working at the intersection of
systems biology and generative art. My work begins with a
simple observation: the interconnected graph — nodes,
edges, flows — has always been a form of computation, long
before computers.
Generative Lifeform renders three distinct
topologies: a radial form with a central hub and orbital
nodes, an irregular network of nodes connected by proximity,
and a cellular mosaic of clustered nodes. Every node is drawn
with layered glow, every branch carries a luminous
double-stroke, and every composition is animated by 2–5
energy pulses that breathe in and out over time.
A gradient ground runs from a deeper blue-violet at the
top of the canvas to a lighter tone at the bottom. Every
node carries a bright specular highlight, and every branch
picks up a hue-shifted glow at its edges. The result sits
between scientific diagram and sci-fi visualisation. Each
piece is defined by a numeric seed and can be regenerated,
documented, and adapted for print, textile, and surface
applications.
On AI tools — where I encountered technical
obstacles, I turned to AI tools for debugging and code
optimization. Every structural, aesthetic, and conceptual
decision remained my own.