Fourier2

A curve, when it is scattered into particles, becomes a constellation — harmonic, precise, quietly yours.

I am an Iranian-born artist working at the intersection of classical ornament and generative systems. My work begins with a simple observation: the parametric curve — summed from layered sines and cosines — has always carried the structure of ornament. From the Fourier series that decomposes any periodic motion into pure tones, to the geometric curves of a Persian garden plan, harmony is one of the oldest systems of mathematical beauty we have.

Fourier 2 is a seed-based generative system that translates that harmony into code. Each composition is layered in three passes: a tree of filled circles clipped inside a full-frame circle, and two separate parametric curves — each drawn not as a continuous line but as a scatter of tiny filled particles, one per sample along the curve. The result is a dense, luminous field of dots that reads as both astronomy and confetti.

The palette, the tree structure, the curve frequencies, and the particle sizes are all derived from a single numeric seed. Each piece can be regenerated, documented, and adapted for textile, print, and surface applications — from scarves and yardage to wallpaper and archival print.