Two works — purple golden lines and cyan golden ellipses — rotating around a Fibonacci-set orbit. Each an edition of one.
For fashion houses, textile studios and surface designers. Each work is a fixed edition: the code is the edition, the animation is the work. Available to license individually or as a collection.
A collection is a chord, not a note — two spins around the same golden centre.
I am an Iranian-born artist working at the intersection of mathematical sequence and generative motion. My work begins with a simple observation: the golden sequence — 1, 1, 2, 3, 5, 8, 13, 21, 34 — appears in the natural world so often that we call it divine. But it is not divine. It is a rule. And rules are what code was invented to explore.
Fibonacci's Spin is a collection of two works, each rotating a set of objects around a Fibonacci-set orbit. Purple Golden Lines draws the orbit with fine linear strokes in a deep purple; Cyan Golden Ellipses draws it with flat oval forms in a luminous cyan. Everything else — the sequence, the orbit, the phase, the tempo — is shared.
Each work is an edition of one. The code is the edition; the animation is the work. Nothing is seeded, nothing is re-generated. What you see is the one canonical realisation of that particular spin.
In the graceful rotation of the Fibonacci sequence, where each number holds its place in the symphony of mathematics, there lies a sentimental journey woven with threads of nostalgia and wonder. The sequence blooms with hues of purple, casting a mesmerising spell that transcends time and space.
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Fifty-five cerulean ellipses, drawn by the digital brushstrokes of p5.js, pirouette in a mesmerising dance across the canvas. Each frame, meticulously crafted at 31 frames per second, unveils a symphony of mathematics and aesthetics, choreographed by lines of code.
View workEach work, presented across fabric, scarf, textile and wall — reproduced at different aspect ratios without loss of structure.
Four surfaces, one work. The composition is tiled to fill each aspect ratio.
Four surfaces, one work. The same rule applied to ellipses, in a cooler register.
The golden sequence sets the orbit. Each object in the work sits at one of the sequence numbers — 1, 1, 2, 3, 5, 8, 13, 21, 34 — so the composition has eight distinct orbital shells at radii that mirror the sequence's own rhythm. The result is a spatial structure that feels both regular and organic, because it is a structure the natural world uses too.
Every object rotates around the centre at its own period, so the phase relationship between objects shifts continuously. The composition is never the same two frames in a row. Over time, the pattern passes through configurations that read as symmetry, opposition, and dispersal — all from the same simple rule. The animation is not decoration; it is the work.
Each work in this collection is fixed. One palette, one object type, one canonical motion. The code that draws it is the edition; nothing is seeded, nothing is re-generated. This is not a generative series — it is a set of two editions, each presenting the Fibonacci's Spin system in a single, deliberate register.
Fibonacci's Spin is a collection rather than a single artwork. Its Fibonacci-orbit language can be licensed as a pair, commissioned as a new variation, or built into a private tool for your studio's ongoing use.
Each work is a fixed edition — reproducible, licensable, adaptable to your brief as a pair or as a system.