FibonacciFourier

A line, when its height is summed from Fibonacci numbers, becomes a harmonic — mathematical, precise, quietly yours.

I am an Iranian-born artist working at the intersection of classical ornament and generative systems. My work begins with a simple observation: the harmonic series — layered frequencies, summed into a single wave — has always carried the structure of ornament. From the Fourier decomposition of a musical note to the harmonic ratios of a Persian garden, the sum-of-sines is one of the oldest systems of mathematical beauty we have.

Fibonacci Fourier is a seed-based generative system that translates that idea into code. Each composition is built from a vertical line field — dozens of tall strokes, each one whose height is the sum of a small set of sine waves whose frequencies are drawn from the Fibonacci sequence. Over time, the sines drift, and the line field ripples.

The palette, the line count, the number of sine functions, the orientation, and the range of motion are all derived from a single numeric seed. Each piece can be regenerated, documented, and adapted for textile, print, and surface applications — from scarves and yardage to wallpaper and archival print.