Variation
A numeric seed initializes palette, margin, line weight, line spacing, and the amplitude of the waviness. Each composition is regenerated and documented as a distinct, traceable output.
A framed field of wavy lines — hand-drawn rhythm, algorithmically traced, seed-documented, and ready for textile production.
For fashion houses, textile studios and surface designers. Each composition is generated from a single numeric seed and can be licensed, adapted or commissioned to your brief.
A line, when it is repeated across a page, becomes a hand — wavy, quiet, and yours.
I am an Iranian-born artist working at the intersection of classical ornament and generative systems. My work begins with a simple observation: the handwritten line — irregular, rhythmic, endlessly variable — has always carried the mark of a hand. From manuscript margins to the ruled pages of a ledger, the repeated stroke is one of the oldest forms of drawn computation we have.
Crazy Letter is a seed-based generative system that translates that structure into code. Each composition is built from a stack of horizontal wavy lines, drawn inside a framed border. Each line has its own rhythm — its own slightly uneven spacing, its own gentle rise and fall. Together they read as a page of writing, as a texture, as a weather diagram of the hand.
The palette, the line weight, the margins, and the density of the lines are all derived from a single numeric seed. Each piece can be regenerated, documented, and adapted for textile, print, and surface applications — from scarves and yardage to wallpaper and archival print.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
A numeric seed initializes palette, margin, line weight, line spacing, and the amplitude of the waviness. Each composition is regenerated and documented as a distinct, traceable output.
Each line is drawn as a chain of small segments, stepped across the frame. At every step the y position drifts slightly up or down, within a range set by the seed — producing a hand-drawn waviness.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Crazy Letter is a generative design system rather than a single artwork. Its wavy, hand-drawn visual language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.