Five to twenty petals, four to fifteen layers — each ring drifting out of a base radius through noise, wobble and distortion.
For fashion houses, textile studios and surface designers. Each composition is generated from a numeric seed and can be licensed, adapted or commissioned to your brief.
A circle pushed by noise becomes a petal, and a petal repeated becomes a corolla.
I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.
Corolla draws four to fifteen concentric petal rings around a central radius. Each ring has its own hue path, its own stroke weight, its own noise scale, and one of three petal styles: smooth, spiky, or dashed. Beneath them, an optional radial gradient and an inner polygon pattern; above them, an optional scatter of particles and a decorative dashed frame.
The result is a hybrid — half botanical, half machine — a flower drawn by a computer that has been taught to wobble. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.
The same seed, presented as an archival print — and applied across fabric, scarf, textile and wall surfaces without loss of structure.
Every surface below is drawn from the same numeric seed — its repeat, orientation and scale adapted to the material, while the underlying structural logic remains identical.
Each layer is drawn as one of three petal styles. Smooth petals trace a closed curve through Perlin noise and a sine wave; spiky petals add a high-frequency multiplier; dashed petals break the same curve into separate arcs with random dash and gap lengths. The style is drawn per layer, so a single composition often mixes all three.
Four to fifteen concentric layers accumulate around a base radius. Each layer gets its own hue path (either a narrow cool band or a full-spectrum drift), its own stroke weight, its own noise scale and wobble amplitude, and an optional distortion wave. The layers overlap, and the composition resolves as a soft vibration of petals.
The resulting composition becomes a surface-design asset — explored across garments, textile prints, wallpaper and other pattern-driven applications.
Corolla is a generative design system rather than a single artwork. Its layered-petal language can be adapted for fashion, textile development and other surface-oriented contexts — while maintaining a computational origin.
Each surface is drawn from the same numeric seed — reproducible, licensable, adaptable to your brief.