Arachne

A spider spins without a plan — yet every web is structurally perfect.

I am an Iranian-born artist working at the intersection of classical textile logic and generative systems. My work begins with a simple observation: the woven surface — repetitive, mathematically structured, infinitely variable — has always been a form of computation, long before computers.

Arachne is named for the weaver of Greek myth, the mortal who rivalled a goddess and was transformed into a spider. Her punishment became her gift: the ability to weave forever. This series translates that myth into code.

Each composition is built from concentric rings — bands of rotating tiles layered at different speeds. Where they intersect, a moiré interference emerges: neither fully planned nor fully random, but emergent. Each piece is defined by a numeric seed and can be regenerated, documented, and adapted for textile, print, and surface applications.